Photos from a weekend of Badger hockey

A men's hockey game at the Kohl Center.

Pep band plays before the start of men's hockey game.

UW players on the bench.

Break out.

Screening the goalie.

View across the arena.

A couple of weekends ago I visited Madison, Wisconsin. I had hoped for a winter wonderland - snowshoeing in the woods, skating on an outside rink or even on a lake - but the weather didn't cooperate. However, I did get to see three (3!!!) hockey games at the University of Wisconsin. Watching live hockey is fascinating - you can see the plays unfold and check out the behind-the-play mayhem. When you watch a televised game, you can only see what the cameras show you.

On Friday evening the men's hockey team ("Badgers" is UW's nickname) suffered an overtime loss at the hands (paws?) of the Golden Gophers of the University of Minnesota - an epic duel of rodents. The men play in an arena about the same size as those used by professional NHL teams, with various food options, a pep band, and a large, very active student section.

On Saturday and Sunday I saw the women play. UW is the top ranked college team in the country and they didn't disappoint, beating the University of North Dakota Fighting Hawks both afternoons. The games were close, hard fought, and a ton of fun. The Badger women play in a new arena that seats close to 2300 extremely enthusiastic, emotionally invested fans. Attendance was good - even on Sunday, when the game overlapped with the Green Bay Packers' do-or-die playoff football game. I came away extremely inspired by these young women, on both teams, who battled it out with at least the ferocity that the men displayed. I wish that everyone could see them play!

The Kohl Center concourse features display cases related to athletics at the University.

This display portrays Brianna Decker, a UW alumna who, in 2012, won the Patty Kazmaier award for best female NCAA Division 1 hockey player. She currently plays for the Boston Pride in the NWHL. She is also on the U.S. national team. 

Introductions.

Going back the other way.

Some sports writing by Jack Kerouac

I haven't had much time for blogging lately, but with the Super Bowl approaching, I thought I'd share a piece of my favorite writing about football - a passage from Jack Kerouac's 1950 novel The Town and the City. What I've quoted below is part of a much longer scene describing a high school game between fierce rivals on a blustery, autumn New England day. 

They saw the Lawton team across the field in a huddle of great captains, standing in the wind in their dark uniforms, helmeted fantastically, all grotesque, wild, and ominous; they saw the officials in white placing the new yellow football on the kickoff line; they saw the whole mob-swarmed terrific stadium in a gray windswept blaze of vision. Whistles were piping in the air, silence was falling over the multitudes, the game was ready to begin.

And then when Peter saw the ball up in the air, wobbling and windswept, and saw it bouncing down before him, he was mortified with fear. Then he lunged for it, picked it up, snarled and ran straight downfield with all his headlong might, crashing and stamping through a confusion of hard bodies and falling finally on the icy midfield beneath ten others, and the game was on....

Down on the field the teams lined up, the linemen digging in low and glaring at each other, the backs crouching, the quarterback calling out numbers with his whole body jerking behind each shout, the officials waiting expectantly nearby, and all of it windswept on the dark field to which all eyes were fastened excitedly. The lines collided, biffed, scattered, long rangy youths sprawled, someone ran and ducked into a pileup of bodies, and it was no gain...

The crowd suddenly roared as someone ran wide around end, around reaching hands, arching his back and waving one arm, cutting back suddenly on dancing feet, wavering, darting aside, plunging on a few yards and pulling along to a stop under a pile of bodies. The crowd's roar surged away into droning chattering sounds, cowbells and drums rang in the sharp air...

And now suddenly the crowd rose to its feet with one roaring cry of surprise, explosive and vast, as a Galloway player swept wide around the end, leaped into the air, twisted, and shot the ball several yards over dark helmeted heads, as another Galloway player paused, twisted, reached out for the ball, barely grasped it in his fingers, turned and went plummeting downfield along the sidelines. The roaring of the crowd surged and grew thunderous, the Martin mother jumped up on her seat to see, and she saw a figure racing down the sidelines, shaking off tacklers with a squirming motion, plunging through others with a striding determination, tripping, stumbling, staggering on half fallen and half running, straightening out once more, plodding, faking, yet suddenly approaching the goal line in a drunken weary run, staggered aside by another lunging figure, momentarily stopping, then carrying on again, striding to the line falling, with a dark figure smashing into it, now wavering on bent knees, now finally diving over and rolling in the end zone triumphantly.

A momentous race, at home and in 'Nam

A few summers ago, while researching for Seeking the Center, I read a number of books about sport in Native American/First Nations cultures. (If you're a member of Goodreads, you can follow me there and see what's on my bookshelf.) American Indian Sports Heritage by Joseph B. Oxendine, in particular, stresses the centrality of sport to Native life and belief, as does Tom Vennum in his American Indian Lacrosse: Little Brother of War, which I wrote about here. 

I'm reading Year in Nam, now, Leroy TeCube's memoir of his experiences serving as an infantryman in Vietnam in 1968 and 1969. TeCube is Jicarilla Apache, and in his book he often reflects on the role his heritage played in his actions and ultimate survival. In light of my earlier research, I found the following passage especially interesting. It weaves together TeCube's memory of a traditional tribal relay race with a life-or-death race to cross a bridge under enemy fire in Vietnam.

Published by University of Nebraska Press, Lincoln and London. Winner of the 1996 North American Indian Prose Award.

As I ran across the narrow bridge I had a flashback to my youth. On September 15 of every year my tribe has a traditional relay race between our two clans. The outcome of the race determines the type of year ahead. Depending on which clan won, there would be more wild game or crops. This race gives my people an idea of how to plan their activities for the year to come.

The relay race is on a racetrack three hundred yards long and about ten yards wide. Head runners are determined at a preliminary race the day before. Before the race starts, elderly men paint the runners in an aspen kiva, conduct prayers for them, and run down the track blessing it. When they finish the race starts with the head runners running at a full sprint down the track. When they reach the end of the track another set of runners runs back. This goes back and forth until a clan gets ahead by a full length of the track. When that happens the clan in the lead wins the race. If the runners from each clan are evenly matched the race could take several hours.

I had participated in the race several times. It could be very deceptive, especially going in an easterly direction. That is because in that direction about three-fourths of the way down is a slight rise that looks like the finish line. If you are not aware of the illusion your energy is expended when you reach this point, and you have to continue on with heavy legs. Elderly men holding aspen branches give you words of encouragement and whip you on the legs with the branches for added strength. It works. You find the burst of energy needed to take you to the finish line

I was now about three-fourths of the way across the narrow bridge. My legs were heavy from carrying my pack. I thought of the elderly men in our traditional race. In an instant, just that thought gave me the encouragement to continue. I ran off the bridge on the other side and took cover next to the trail. After catching my breath I fired toward the wood line. Out of the corner of my right eye I could see the others running the same race. Eventually, we all made it across without a casualty.

As TeCube describes, the ritual relay race has spiritual and practical dimensions, but also serves as a way to build and inspire courage and determination. It would be interesting to know whether, traditionally, the race was in any way considered to be, like American Indian lacrosse, a "little brother of war," or if it just worked out that way for TeCube in this instance. In any case, it was a treat to, unexpectedly, come across this intriguing recollection.

Do the little things

A week ago tonight I celebrated the release of Seeking the Center with friends and family here in the town where I live. When I was thinking about the evening ahead of time, I wanted to be sure to thank my guests properly for all the support they've given me over the years. 

There's the support that came in the form of encouragement, and questions about my progress as I made my way through the process of researching, writing, editing and publishing. But there's also been support on a deeper level.

In hockey, there's a stock phrase - one of those hockey cliches - that is often applied to players who aren't necessarily flashy, but who are consistent, reliable, and conscientious. They are said to "do the little things." Implied in that is a type of faith - faith that those "little things" will add up to success for the team in the long run.

I'm lucky to live in a community where we're not only privileged to begin with - we are, and we can't forget that - but also, where so many are committed to "doing the little things": volunteering in the community, in the schools, and with our kids' sports teams; taking an interest in each other and looking out for each other. It's worth noting that many of us are also, in this Washington, DC, suburb, career government servants who work hard every day for the people of our country and the world.

We don't expect some savior to come in and score the winning goal off some flashy play. But we have faith that, if we all try to do the little things, it'll mean success for all of us.

In life as in hockey, true awesomeness resides in those who get up every morning, for years and years, and try to make things better, one little thing at a time. Many thanks to everyone who has helped to make this a place where we can enjoy the peace of mind to do what we're inspired to do. And let's keep trying to make things better, both within our little community and beyond.

Beyond a Boundary: The classic book on cricket by C.L.R. James

Beyond a Boundary (1963) is C.L.R. James's classic memoir and exegesis of cricket in the colonial West Indies. James (1901-1989), a native of Trinidad who spent many of his adult years in Britain, was involved with cricket as a player, critic and commentator. He was also an historian, novelist, cultural and political critic, and activist. In Beyond a Boundary he describes how irrevocably enmeshed the sport was in his own development, as well as in the political, social and racial struggles of his time. 

Beyond a Boundary was published in Britain in 1963 and in the US in 1983. My copy is from 1993, published by Duke University Press.

I wish I was knowledgeable enough to discuss how this has all played out in the fifty-plus years since Beyond a Boundary was published. I'm not, but I want to offer to you this statement by James explaining the premise of this book. It speaks to the roles sport can play in defining a society and the points of struggle, of contest, and of contradiction within it. 

I haven’t the slightest doubt that the clash of race, caste and class did not retard but stimulated West Indian cricket. I am equally certain that in those years social and political passions, denied normal outlets, expressed themselves so fiercely in cricket (and other games) precisely because they were games. Here began my personal calvary. The British tradition soaked deep into me was that when you entered the sporting arena you left behind you the sordid compromises of everyday existence. Yet for us to do that we would have had to divest ourselves of our skins. From the moment I had to decide which club I would join the contrast between the ideal and the real fascinated me and tore at my insides. Nor could the local population see it otherwise. The class and racial rivalries were too intense. They could be fought out without violence or much lost except pride and honour. Thus the cricket field was a stage on which selected individuals played representative roles which were charged with social significance. I propose now to place on record some of the characters and as much as I can reproduce (I remember everything) of the social conflict. I have been warned that some of these characters are unknown and therefore unlikely to interest non-West Indian readers. I cannot think so.

He was right in that. Beyond a Boundary certainly held my interest, even though its "players" were not only unknown to me (as is cricket, largely, I'm afraid!) but also long departed from the planet. The circumstances James describes are fascinating and, though intricate, they resonate widely. I learned a lot from this book.

Book Review: Killing Frank McGee by Don Reddick

Frank McGee was a Canadian hockey star during the early years of the 20th century, and, according to the cover copy of this book, “the only legitimate Hall of Fame athlete of any sport to be killed in action fighting for his country.” Killing Frank McGee is a fictionalized account of McGee's near-miraculous prowess as a hockey star (he was blind in one eye and only 5' 6" yet scored prolifically), and his considerably less extraordinary death in the trenches of France during World War I.

Interestingly, Reddick chooses to tell McGee’s story not through the athlete’s own thoughts or words, but rather through those of the novel's two narrators, Alf Smith and Billy Kinnear. The result is an unusual sort of character sketch in which the context and surroundings are clearly pictured, but the man at the center remains a bit of a mystery.

Those surroundings, though, are dense and vividly described. On the home front, we’re treated to a startling close-up of Smith, an Ottawa Hockey Club coach and player-coach whose disdain for the privileged classes (including the McGee family of which his teammate Frank is a member) is matched only by his single-minded determination to win the Stanley Cup. Through Smith’s opinionated musings, the era’s economic, social and class terrain, as well as the hockey culture of the time, come to life.

If Alf Smith shows us the Canada that created Frank McGee, Billy Kinnear, a young, sensitive, working-class man from rural New Brunswick, brings us the war that kills him. Through Kinnear, Reddick renders not only the blood, mud, stench and deafening thunder of trench warfare, but also the humanity of the soldiers who cling not so much to life, which they cannot hope to grasp, as to spirit.

Up to the moment of his death and beyond, McGee remains that mystery, that blank slate upon which we, or Kinnear, or any of his other fans and followers may draw what they will. An unusual way to portray your protagonist, perhaps, but isn't it rather in keeping with the way the rest of us "mere mortals" tend to view our star athletes and war heroes?