Agnes, Maria Campbell, and the light inside

Who is Agnes, protagonist of Seeking the Center? Where did she come from? The short answer is, I don't know. 

She's not autobiographical. I have never been as tough, as brave, or as smart-assed as she is. (I only wish I was!)

I've mentioned that she began, partly, as a question about being female in the overwhelmingly male world of ice hockey. And that's certainly true.

Ultimately, though, a lot of things entered into the mix that became Agnes's character. And while I will never uncover all of them, I can say that one major inspiration is the life of Maria Campbell, a Métis woman who persevered through extreme difficulties to become a writer, a teacher, a much-respected elder, and an advocate for Métis and women's rights.

I found Campbell's Halfbreed by chance, browsing the stacks at Powell's Books in Portland, Oregon, and I owe an eternal debt of gratitude to whomever it was that sold their used copy to Powell's! The autobiography is riveting and a must-read for everyone.

Campbell was born in 1940 in Park Valley, SK, a poor Road Allowance community. (Unlike other Aboriginal groups, the Métis were not granted rights to land under treaties with the Canadian government, so many were forced to squat on "road allowances" - Crown lands set aside for future roadways.) At age 33 she wrote Halfbreed, an autobiography documenting her life up until that time. In Halfbreed, Campbell never shies away from the poverty, alcoholism, violence, addiction, racism, and sexism that she faced, but she nevertheless manages to portray some of the beauty of her Métis culture and the love that existed within her family, troubled though it may have been.

While devastating at times, Halfbreed remains a testament to the dignity and spirit that people can possess, nurture, and share in defiance of even the direst circumstances and the most heartless enemies. Campbell has this light within herself, and she also has the ability to find it, and to inspire it, in others. In spite of people who fail her, and circumstances that drag her down, she retains the ability to love and to trust others, and to parlay that love into something that can sustain and nourish.

Agnes doesn't experience the hardship and desperation that Campbell did, but she has the same light inside her. And in Seeking the Center, she learns to find it and use it, for her own good and for the good of others.

Louis Riel Day and Métis nationhood

After reading Seeking the Center a friend of mine became curious about the description Métis that appears on the back cover of the book. She looked it up and asked me about it. "It means mixed race, right?" she asked. "Like mestizo."

Well, no. There's confusion about the designation Métis. On the one hand, yes, the French word métis, with a lower-case m, literally means mixed, often used to describe people of "mixed blood" - i.e., people who are bi- or multi-racial. But Métis, with a capital M, does not.

The Métis, as a people, have their roots in the North American fur trade, going back as far as the 17th century, when European fur traders and Indigenous people began forming alliances, often cemented by, or taking the form of, marriages between fur traders and indigenous women. The children of these marriages often intermarried among themselves, and over generations developed their own language (Michif) and culture. They became a large and influential group in the Canadian and American west, working not only as hunters, fur processors, pemmican manufacturers, and voyageurs, but as guides, translators, traders, merchants, and so on. Today they are recognized by the Canadian government as one of three Aboriginal groups - i.e., cultural groups that existed originally, before Canada itself: First Nations, Inuit, and Métis. The United States has never recognized the Métis as a distinct cultural group, although their northern plains homeland extends across the U.S.-Canada border.

The Métis are also, in the same sense as, say, the Ojibwe or the Cree, a nation, and one whose origin predates the arrival of the Canadian and U.S. governments to their homeland. Their sense of nationhood developed over the course of generations, and was solidified during the 19th century through a series of political/military events including the Battle of Seven Oaks (1816), the trial of Guillaume Sayer (1849), and the Métis resistances at Red River, Manitoba (1870) and in Saskatchewan (1885).

The Métis leader in the latter two confrontations was Louis Riel, a charismatic, spiritually inclined, and enigmatic man who envisioned a Native nation in North America. His forces were crushed both at Red River and at Batoche, Saskatchewan, by the Canadian government, then in its infancy. He himself was captured, tried, and hung for treason by Canadian authorities after the defeat at Batoche in 1885. 

Since 2008, the third Monday in February has been designated Louis Riel Day in the Canadian province of Manitoba. In other parts of Canada, Louis Riel, as well as Métis culture in general, are celebrated on November 16, the anniversary of Riel's execution. 

Here are some titles for further reading - by no means an exclusive list! - in order of publication date: 

• Strange Empire: A Narrative of the Northwest by Joseph Kinsey Howard (1952)
• Many Tender Ties: Women in Fur-Trade Society, 1670-1870 by Sylvia Van Kirk (1980)
• Strangers in Blood: Fur Trade Company Families in Indian Country by Jennifer S. H. Brown (1980)
• The People Who Own Themselves: Aboriginal Ethnogenesis in a Canadian Family, 1660-1900 by Heather Devine (2004)
• One of the Family: Metis Culture in Nineteenth-Century Northwestern Saskatchewan by Brenda Macdougall (2010)
• "Métis": Race, Recognition, and the Struggle for Indigenous Peoplehood by Chris Andersen (2014)

Métis fiddler Jimmie LaRocque of Turtle Mountain

Back in the 1990s, as production associate for the Folk Masters concert and radio series, I had the honor and pleasure of meeting Jimmie LaRocque, a Métis fiddle player from the Turtle Mountain Reservation in North Dakota.

I will never forget this remarkably energetic, enthusiastic sixty-something year-old man who drove the entire way from his home near Belcourt, North Dakota (practically on the Canadian border) to Washington, DC (a distance of almost 1600 miles!) and arrived none the worse for wear.

As a young person, Mr. LaRocque absorbed many influences and, like so many musicians, was eager to play the popular music of the day. By age 17 he was in Texas, playing with a band called The Western Kings out of Corpus Christi. Later, he lived in California and played backup fiddle for touring country bands including Grand Ol' Opry performers Kitty Wells, Ray Price and Ernest Tubb.

But he never forgot the traditional tunes that he taught himself to play on his dad's fiddle as a boy. He is quoted in the 1994 Folk Masters program book:

The Indian old-time fiddle music is a lot different. It seems like it's got a lot more meaning. In my mind sometimes I play fiddle here, and I swear to God I close my eyes a little bit and I can see my dad sit there by me with his fiddle. You play this Indian music and then it's like the whole sky, it's like a great big movie camera is showing a big picture on there. On the sky you can see Indians coming on spotted horses and you can see the wind blow.

Mr. LaRocque passed away in 2009.

This link will take you to a short sample of Mr. LaRocque playing the Métis fiddle tune "Road to Batoche" on the Smithsonian Folkways recording Wood That Sings. Batoche (the Smithsonian Folkways listing misspells the name) was a Métis settlement in Saskatchewan and the headquarters of their fight against Canadian forces in 1885. Métis people sometimes call that resistance la guerre nationale "the national war," (i.e., the war of the Métis nation), which gives you a sense of its importance to them as a people.

Batoche is now a Parks Canada National Historic site, as well as the home of "Back to Batoche," the Métis nation's annual commemoration of its culture, traditions and heritage.

Batoche in 1885. Unknown photographer. This image is available from Bibliothèque et Archives nationales du Québec under the reference number P600,S6,D5,P1309. Public Domain, https://commons.wikimedia.org/w/index.php?curid=44641160